Datamoshing music video8/4/2023 ![]() ![]() ![]() The only video documentation I’ve been able to find is on YouTube - it’s quite impressive, though it’s hard to tell which compression artifacting is from the original and which is added on for extra YouTube flavor. In Monster Movie and Untitled (Pink Dot), Murata used 80s movies Caveman and Rambo: First Blood as moshing fodder. Ghost Town Media contributed the post effects and look like they had a really good time dragging the footage through the digital wringer.īoth parties acknowledge Takeshi Murata as a key influence. Directed by NABIL, Kanye West’s “Welcome to Heartbreak” has a grittier take on the datamoshing technique. ![]() Every time you start to wrap your head around whats happening, the band breaks through the frame, tearing the pixels with them.Ī couple days ago, another data moshing video was released - much to the debate of the internet echo chamber. A compression algorithm slip-up can introduce surprising colors and patterns but retain strange motion memories of the original video.Ī little over a week ago, Ray Tintori premiered his music video for Chairlift’s “Evident Utensil”, which wrangles the technique, “data moshing,” into a fun, effortless, mind-bending trip with the members of Chairlift. ![]() It’s happened to you at least once - a color explosion on your screen created by an ill-fated download or a codec mismatch. Tintori and NABIL: Breaking your internets ![]()
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